Green,Jennifer
Drawn from the ground : sound, sign and inscription in Central Australian sand stories - Cambridge : , Cambridge Univ. Press 2014 - 270p
978-1-107-02892-0
Aboriginal Australians in Folklore.
Storytelling in Australia in Central Australia.
Women, Aboriginal Australian in Australia in Central Australia.
Arandic language region, multimodal approach to communication, sign and gesture in sand story, gradient phenomena, relationship between gesture and speech
Sand stories as social and cultural practices : History,Lexical semantics of the term tyepety, techniques and tools, mapping, disagreement and games in central Australia
Catching a move as it flies: multimodal data collection and annotation : Recording naturalistic data in challenging condition, sand quiz- testing the meaning of V-units
Lines in the sand : Conventionalized ground-ground type V-units, visible paths in sand, combinations of static and dynamic elements, motion and multimodality, interpretation of motion in space, innovation and change
Body-anchored and airborne action : Aboriginal sign languages and gesture in Australia, hand signs in sand stories, tunnel ball game in sand
Ordering, rewarding and erasure : V-units and the order of narrative events, erasing the story spaces, role of deictic units in transition between frames
Vocal style in sand stories : Talking song and singing story, arandic songs, doodlebugs and bogeymen
Crossing boundaries : Multimodality, form and functions in sand stories, alternative representations in sand , sign and gesture, convention or continuously varying forms, verbal art, visual art, inscriptive practices- beyond central Asia
398.20899915 / GRE/D
Drawn from the ground : sound, sign and inscription in Central Australian sand stories - Cambridge : , Cambridge Univ. Press 2014 - 270p
978-1-107-02892-0
Aboriginal Australians in Folklore.
Storytelling in Australia in Central Australia.
Women, Aboriginal Australian in Australia in Central Australia.
Arandic language region, multimodal approach to communication, sign and gesture in sand story, gradient phenomena, relationship between gesture and speech
Sand stories as social and cultural practices : History,Lexical semantics of the term tyepety, techniques and tools, mapping, disagreement and games in central Australia
Catching a move as it flies: multimodal data collection and annotation : Recording naturalistic data in challenging condition, sand quiz- testing the meaning of V-units
Lines in the sand : Conventionalized ground-ground type V-units, visible paths in sand, combinations of static and dynamic elements, motion and multimodality, interpretation of motion in space, innovation and change
Body-anchored and airborne action : Aboriginal sign languages and gesture in Australia, hand signs in sand stories, tunnel ball game in sand
Ordering, rewarding and erasure : V-units and the order of narrative events, erasing the story spaces, role of deictic units in transition between frames
Vocal style in sand stories : Talking song and singing story, arandic songs, doodlebugs and bogeymen
Crossing boundaries : Multimodality, form and functions in sand stories, alternative representations in sand , sign and gesture, convention or continuously varying forms, verbal art, visual art, inscriptive practices- beyond central Asia
398.20899915 / GRE/D